Let me preface this by saying that I am not a fan of Ke$ha. I’ve heard Tik Tok, Blah Blah Blah and now Your Love Is My Drug, and while I’m not going to say she’s personally responsible for the death of music…
This weekend (April 17, 2010), she appeared on Saturday Night Live and her two odd-to-say-the-least performances has been met with near universal derision. Yet it might be the first thing from Ke$ha I’ve actually appreciated, and not just because she actually tried to sing. (Unsuccessfully but she did try.)
We’ve known from the start that Ke$ha can’t sing. Her songs are 90% autotune and she’s not even subtle about it. The songs themselves are not good either, even the massive hit Tik Tok (which is really about the hollowness of club life and how every drink you drink and every hour you spend in the tanning bed does not disguise the fact that you’re merely a placeholder for the next replaceable hot, young thing. Tick tock ladies. Your time is running out.)
Anyway, for anyone who’s followed Ke$ha’s meteoric rise to superstardom, she’s created a certain image for herself. A skanky lush. Our first impression of her in the video for Tik Tok is of a girl crawling out of a bathtub, completely wasted and presumably pumped full of male semen from a wide variety of donors. It’s how she rolls.
Then she goes to Saturday Night Live. Plenty of performers on SNL just stand on stage, crank out whatever bullshit dirge the record company wants to sell and get off to forced applause. If Ke$ha did that, no eyebrows would have been raised. I mean of course, people would have critiqued her terrible singing but it’s not like people would have asked “why isn’t she stumbling on stage, vomiting into a bucket and passing out after singing about pedicures on her toes-toes?”
Yet Ke$ha threw a complete curve ball at the audience. She created a bizarre stage show in which she created not just one but two whole new images. In her first performance (Tik Tok) she appears in some space-age aluminum jump suit with an American Flag cape showing her hitherto unknown patriotism. Her comically out-of-sync backup dancers were dressed as spacemen. Then, about halfway through this rendition of her major hit, she stops to posit the question “Did you ever think maybe we were the aliens?” Look at her rocking the Middle School Stoner Talk. Then, in her second performance (Your Love Is My Drug), she’s dancing around in Day-Glo body paint.
So what’s up with this massive change? One theory I’ve come up with is that she was so enthusiastic about Obama’s announcement that he wants to go to Mars that she was inspired in the same way that people in the 1960s must have been when Kennedy announced we were going to the moon and thus the two performances actually make up one story. Tik Tok was about America once again venturing beyond the stars hence the astronauts, futuristic space suits, and American flags everywhere. In Your Love Is My Drug, she represents the aliens that we meet on our travels through interpretative dance. It’s kind of like a musical version of Tracy Morgan’s Astronaut Jones.
That’s the only theory I have.
Like I said, I have to give credit to Ke$ha. She’s not a singer. We know that. She knows that. So at least she tried to figure out some way to entertain the audience. She didn’t stand there like a lump and awkwardly mumble her way through her songs, she didn’t a jig after getting busted for being a fraud on national television. She tried to sing, she actually performed and while this doesn’t make me a fan of Ke$ha (and I will continue to try to avoid her music like the plague it is), I can’t condemn her for trying to do something.